It is actually a modern bow, but in the shape of a baroque bow, which is easy to play with. The much visited YouTube video ‘The amazing 6-Year-Old Child Violinist Brianna Kahane Performs “Vivaldi Concerto in A Minor”’, offers a good example of this. This could also suggest that the performer was either consciously or unconsciously changing a melody. or HIP) The term "historically informed performance" is used only in connection with performances of music in a style that has had to be reconstructed from the past. Figure 9 The covers of my RV 356 edition published by Shanghai Conservatory of Music Press in 2011. Please check your email for instructions on resetting your password. A typical example is his Violin Concerto in A Minor, RV 356, which frequently appears in all sorts of tutorials and syllabuses, as well as in recordings and concerts.  Clive Brown & Roger Norrington, Classical and Romantic performing practice 1750-1900 (Oxford: Oxford University Press, 1999), p. vii. In the 2012-15 syllabus of the UK’s Associated Board of the Royal Schools of Music (ABRSM), the first movement of RV 356 is placed in Grade 7 out of 8 (8 being the highest) with Vivaldi’s original bowing and other HIP related requirements such as tempo and articulation being indicated in the score published by the Board. Senatra adopted the Nachéz edition with its heavy orchestration and therefore played the work in a slow and sentimental manner, absorbing it into what one might regard as a typically romantic style. The author gratefully acknowledges the constructive edits and comments of Dr Jeremy Cox on this paper and those of Prof. John Rink on its abstract. The revival of RV 356 in the 20th century owed a great deal to a Hungarian violinist and composer Tivadar Nachéz (1859-1930) who produced new editions of Vivaldi’s concertos. In recent decades, Historically Informed Performance (HIP) has had a strong impact upon mainstream musical performance (MSP), just as Sir Roger Norrington has noted that the second and third avant-gardes have largely changed our everyday musical life and taste. As a coda to this paper, I should like to share the recording of a special performance at the 5th International Conference of the Performance Studies Network, where this paper was presented.  Sales were even more successful than those of Vivaldi’s famous 1725 collection, Il cimento dell’armonia e dell’inventione (The Contest Between Harmony and Invention), which contains Le quattro stagioni (The Four Seasons), the most popular set of violin concertos ever recorded. Video 1 Bars 1-46 of the 1st movement, tempo-dynamic curves generated with www.vmus.net developed by the author, The publication of urtext editions and the issuing of commercial recordings with increasing HIP awareness has aroused continuing controversy among violin teachers.  Above all, in the case of RV 356 and other works by Vivaldi, for vast numbers of violin teachers and students it is the version found in the Suzuki method that gives them their first impression of what a Baroque violin concerto should sound like. Nachéz’s editions of Vivaldi, and performances made using them such as Senatra’s in the 1930s, are not to be disparaged just because they no longer resonate for us in the same way that they did for those musicians in their time.
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